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Okay I’m gonna spare you the details, but basically these songs combined sound terrible. Using SV, let’s combine these songs together!!!: Right off the bat, these look a lot different but what’s important here is not the peaks and falls of the frequency waves but rather the fact that these songs are in 4/4 time and of the same key. The search brought me to Sufjan Stevens’s song, “Chicago”, which I uploaded into SV: Mixolydian means that the scale starts from the fifth note….So if one was playing a C scale (which usually starts with C and ends at C) and they wanted to make it Mixolydian, then they would instead start with G as the root of the scale and end the scale five notes short of C. E flat means that the chords and notes of this song are centered around E flat this takes some years of choir to be able to simply hear. Then I looked through my music library for another song in E flat Mixolydian and 4/4 time signature…this might sound like another language to some. ** Please click the links to listen you won’t be disappointed!** Piano Verse 1, Chorus, Verse 2, Chorus Solo Band Pianoģ0 Second soundbite: (I’m unable to embed an audio file using SV so I uploaded Audio from SV using Soundcloud which also shows the music visually) Opening Full Band Playing Sensitive Full Solo Here’s a project Jaycee Sanders worked on a project heavily influenced by youtube song-masher, “Isosine” : Rather than have to listen to a recording over and over and write down time placements of the portion of a song I’d like to edit, sonic visualization allows one to visually see, select, and then edit a certain portion of a song. As someone who recently made the switch of recording on an analog reel-to-reel cassette to a digital TASCAM 24-track, I know first hand how helpful this ability can be.
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